SCIENCE AND ARTS FESTIVAL
17—24 AUGUST 2002, HOBART, TASMANIA
 

Online Gallery

Synergy

Artists: Di Allison/Patrick Hall
Scientist: Russell Bradford

Di Allison

When Russell Bradford showed me a small bottle containing a post-larval rock lobster, Jasus edwardsii, I was struck by its fragility. This tiny body appeared to be casting an alabaster shadow. The barely present outer covering, outgrown and discarded, rested ghost-like nearby. This period of transition from post-larval to juvenile brings a time of great vulnerability but eventual strength to the tiny lobster.

Time releases us from the moments in our lives. Sometimes, far too slowly, we allow ourselves to let go of our sorrows. A wish, a love, a certainty, a grief may need to finally leave us.

At these times, at our most fragile, a new resilience may follow.

Patrick Hall

These pieces are inspired by Russell Bradford's work on the "aging" of fish larvae. In the same way the age of a tree is determined by counting the "growth rings", the life span of a fish can be read by the tracks and grooves on the microscopic disc of its ear bone or otolith. An intriguing notion — a hard copy of a creature's life encapsulated

in a dot, like nature's black box flight recorder. What tracks and records our own journeys and stories? Is part of that process the things we hear, the voices of the ones who love us and the sounds of our time? Perhaps the metaphor of a gramophone record

links our desire to understand and connect to the world with the fragile traces left on the ear bone of a fish. These are voices from the past and snatches of moments from before, now relived in the present.

Russell Bradford

When studying to be a marine biologist I was taught how otoliths could be used to age fish, and that the only means for growth in an animal with an exoskeleton, like a lobster, was to discard that outer shell and replace it with a larger one. Because of the objective and methodical approach that science takes to the natural world, it is all too easy to overlook the emotion and wonder that world contains.

Patrick Hall and Di Allison have taken two aspects of my work and without those constraints have been able to interpret my work in a more humanistic manner. Both of their works, with a wonderful simplicity, create parallels between a world rarely glimpsed and our own lives. Through their creative interpretations, Pat and Di have reawakened my sense of amazement of the natural world.


Title: Silent recordings 2002 (detail)

Title: Drown your sorrows 2002 (detail)
Title: Drown your sorrows 2002 (installation)
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